STOPPING TIME: Material Prints 3000 BCE to Now at NAG
was curated by Ross Woodrow, QCA Griffith University, Queensland, Australia
29 Feb. - 10 May 2020 (opened to the public for only the first three weeks because of COVID 19 restrictions)
address: 1 Laman Street, Newcastle NSW 2300 Australia
The exhibition was reviewed by Jill Stowell “Printmaking exhibition at Newcastle Art Gallery offers rich history of work” in the Newcastle Herald (March 14 2020)
Eric THAKE Cold iron 1932, linocut Newcastle Art Gallery collection, linocut block for "Cold Iron" Newcastle Art Gallery collection; Cressida CAMPBELL The lithographic studio 1986, watercolour monoprint from carved woodblock Griffith University Art Collection; The Etching Room 1986, watercolour pigment painted on carved plywood, Griffith University Art Collection. Far wall Giovanni Battista PIRANESI Interior View of Reservoir … in the Vineyards of the Jesuit Fathers in the Castel Gandolfo 1742 etching Private collection; Jessie TRAILL The Great East WIndow, Melbourne Electricity Supply Power House 1924, etching, aquatint Newcastle Art Gallery collection.
Smart Space at NAG
Was Open studio every day for children to make an artist’s book to take home as a record of the short-lived Stopping Time
Lindy LEE Untitled 1, 2 and 3 1987; Mike PARR The Map 1987; Noela HJORTH Memory traces 1979; Gordon BENNETT Body Print D1 1994; Bea MADDOCK Seven 1974; Blair COFFEY Nowhere and See both 2019. Foreground box for viewing a selection of nineteenth-century lithophanes. [photo: Tobias Spitzer]
INSTALLATION VIEWS BELOW
[photography, Tobias Spitzer]
